Okay, so we had a quick listen and I'm still not really happy with the way the bass drum and the bass guitar kicking together. So I'm just gonna have a quick listen to to the drums and the bass just on their own. So I'm just going to push up the I deleted this picture a bit more. Just a bit more punch on the kick drum really approved may just pull the bass guitar back a bit. So I've just kind of tightened up the kick drum a bit and trying to make a bit more things The second thing that I was listening when I was listening out earlier was the acoustic guitar, she was still a bit brash for me. I did add some top when I was listening to on its own.

But once I've heard all the vocal microphones, putting a bit of a sound in as well, it's just sounding a bit. So I'm just going to take off the top that I did when I first got the channel on its own, and put it back to flat really, and go with that again and see how that sounds with a mix. Yeah, so I kind of split the difference really, I took took it off, it's a bit dull sounding. I'll put a bit back in And a bit happier. And just gradually building up the mix as we go along. That's kind of what we do.

This is constantly changing. And once you finish doing this, this isn't set, you know, you don't have to like glue all the knobs in place and keep them like that for the entire gig. Mixing a show has got to be a dynamic process because you know that when the band walk on, it's going to change. So you've got to be continue listening, and not be afraid to get stuck in and make changes as the gig goes along. But the most important thing, keep your vocal up there. It's what people want to hear.

Concentrate on your vocal, bring your band up to meter and hopefully you've got a good mix. Thank you very much.