I'm going to leave this little piece over here I always like to leave a piece of hair to use as a filler in case there's anywhere in the design that I have a hope or a need needed for and it's just a trick that I've always done and fun and share that. Right now I'm going to incorporate the ends from the front into pink curl with half of the right side of the ponytail What I want to do is just smooth outside and the underneath, but I'm leaving all that T's in the middle just makes it easy to work with. When the up do is sectioned and you have an overall idea and design of where you're going with it. Then what we use to bobby pin so far, two ponytails and so my hands are free to create because we already know the look we're going for.

But the design is kind of letting the hair speak to you. So we know we want this beautiful girls down on our shoulders and we want this in the front for this kind of a look and tight sides. But what happens in here is letting the hair speak to you and shifting in your where your rolls, you're going to do barrel rolls, you're going to do pinker roll as you do not, you're going to, you know, this here in the middle is the creative part. And it's nice to have a system where everything is up and you're free now to just be creative. into I don't want to ruin the fatness of the pin curl. And I don't want to see bobby pins in the middle of the pin curl.

So I tend to follow almost like a square. So come in here. Go square. So then I can pinch, I can pinch, there's a bobby pin and I can pinch and hide it with spray. So the, the bulk of the middle is is done. So, not going for something call right now.

It's, it's like a like a half a one. And I'm going to because what I want to do is I want to fill in here where there's a hole and I want to have enough for over here. So, I'm going to just bend it over. Yes, I'll have a couple of spare pieces in here but what I'm trying to go for now is cemetery right from the front. I'm going to check her friends. When I'm looking for this to be symmetrical, I might tighten it up.

But that's where we're starting. So when she's looking in the mirror, this where the curls down is look she's going for for the event or the party or the prom 1940s or 1950s or, you know, Halloween costume or, or a school play and hairspray school play whenever these these are just great luck. So this is is kind of done, the bottom is done. And we're just going to continue in the back finishing up the curls in the back. So I'm going to let the bottom down. And then I can see that there's enough hair to bridge that gap between the down hair and what's going on up here.

So we don't understand when you have a sectioning system that allows you freedom to get detailed. your creativity is going to go through the roof and your ability to ask for more money is going to go have a seat You can take your brush, I'm going to take one. This one's a little bit more flat. This one teeth, I like four teeth. So when you have a scene there that you don't like and you don't want to hide it, you can use a brush like this. And you have to educate your client.

I'm going to just brush that and just kind of pull it over and there you go. It's covered. Okay, sometimes I've seen people when I teach my classes that there's a hole or whatever and they're there. They're trying so hard to drive some little snippet of hair somewhere else from the outdo and you can just get in here and spread it a little and that's what's nice about the ponytail. Is that's the base that ponytail in there is not going Anywhere. So you have three to move this to that and drag it.

And even though we have to tear, this guy's like flopping a little bit. So I'm going to go in and deal with it. It's kind of like having problems in your life, you can ignore them, or you can deal with them. So before I get any further, and that's the end of floppy floppy, I'm going to deal with it right now even though I'm working on this, there's nothing wrong, I didn't make a mistake. And these are the things you need to tell yourself. There's nothing wrong, I didn't make a mistake.

I just have to stop what I'm doing. And go back and secure this. don't really want to try hard to prevent yourself from getting frustrated. Literally when you get Frustrated, don't cortisol hormones go raging through your body. And the ability to rationally think and calm yourself down in your frontal lobe area is inhibited. It's like a chemical.

It's like a hit. So cortisol is in there who and if you let yourself get frustrated and work up, work up. So now you have this chemical that your adrenal gland has processed. So you now have a chemical in your body. That's going to take 10 to 15 minutes to dissipate. So if you can prevent yourself from getting worked up, you will prevent the cortisol adrenaline rush and you'll be able to remain calm.

Then you can think because when you get wound up, you can't sink and then you get continually ratchet, ratchet ratchet, and you work long and hard in school. You are talented, you have a career ahead of you and you don't want derail yourself just from emotions we can control and this is where you can, can look and, and I stub a nice big piece of hair left over here. So this one can be like something creative and I'm thinking I might want to drag it up and do something a little bit further up the game, you're dealing with the emotions of the wedding, and the emotions of the client. This is not a normal day for her. This is not like after work and my haircut go home. She's going somewhere.

This is this is a big moment. So it's an inner game. There's a lot of inner game ahead game and systems that I have cut the stress level 90% It's going to what I liked when I just did is just kind of loop it over here. The brush like now this is in a ponytail. So I always pinch and smooth that way I'm not just pulling on the hair even though it's in a ponytail, I don't want it to pull out. So, in some of these things are so automatic.

I'm glad I can talk out loud, pinch and smooth. I'm always pinching when I'm smoothing. And so what I'm looking for, there's there's a nice little movement going on here. And again, this is my last piece, so I can make something really pretty with this last piece I always call this the money piece. It's really creative. And it just might set off the whole look.

And when you want to get good with the system, you can move around in a clip I'm stopping to talk and teach, but you can move at a pretty good clip and it just works.