Now as we've closed up the photo, we still have to complexify the light. So we can, of course do this with local adjustment brush. So which parts of the image are really interesting, I think, of course, the light train here, and but the light shall always already is really bright. So we don't have to write it up here, because it really, the pure just looks at it as his first glance because it's the brightest part of the picture, the lights here and also the light of the lighthouse. But I think this tree here on the right is also interesting, the fewer maybe as a second glance, then should look on this tree. So we brought this tree but I really liked the tree here, this or this patch.

It's really interesting and just has a fuzzy kind of look. So I brought it up, all the way. Something like that. So it looks really nice and we can also brought up is just a bit, these brushes here just a bit, so maybe not that much. If you hold the ALT q Can you raise a bit more? Okay, so I think this kind of looks nice.

And now we can also complexify the light by using radial filters again. So for example, I think this rock is really, really looking interesting. So we can brighten it up just a bit by dragging radio right onto the rock here. Just make a bit brighter and make sure feather is at 102 that it looks natural. So let's take a look at the before and after the radios. Yeah, and it also adds a bit of dynamics to the image.

I like this. Okay. And Maybe here also, we can duplicate this Radial Filter and drag it over here to just make some points of light and complexify the light situation more. So there's no right or wrong. Also, we maybe can brought up the lighthouse, of course. So let's duplicate the Radial Filter again and drag it on to the lighthouse.

Because the light has released the important part of the image, just brought it up a bit. Maybe here we can also add a bit of clarity to strengthen the conscious of this data. Okay, just looks nice. So let's take the brush again and maybe just brush a bit on where these stones here by adding them up a bit to make the life more complicated and more Interesting, the whole light situation. Yeah, maybe here also we can brush a bit. Okay?

Maybe not that much. Okay, wonderful. And yet also, just looks like the sun was shining onto this rock here. So I kind of like that. Okay, so that looking nice. Then if you're done just click Done.

And of course as always take a look at other things and then come back to image and see if you still unlike what you did here, so I kinda like this. And now, here um, before I took the image, he was a boat, which made a nice way. So I'd like to ask highlight this wave a bit because I think it adds more dynamics to the image because we have already curves here into our composition. And then we would have a curve here on the water against I think this is really interesting for our image. So let's take the brush again. And the brush, make it a bit smaller, of course, just like this with the exposure a bit and not just spraying paint over this ways.

So something like that. Okay, that's kind of nice. And then, of course, not too much said that this doesn't recognize that you brush this em and zoom out a bit. Okay, that's a bit too strong. So we will look The exposure, just a tiny bit may be like that, then we just click down. And boom.

So here is a bit still the light of the book, but we will take care of that. And we are in Photoshop. Of course you can use the Spot Removal Tool here in Lightroom. But as I told her I already told you in the basics lesson, it doesn't work really well in Lightroom. So I knew I don't you like this tool, I really go to Photoshop to remove that. Such things.

And yeah, so I can show you the before and after now. So it's just amazing how we complexified the line how we added more dynamics to the image how we added color to the image. And now it has a complete different look and it's just looking amazing. So um, the last thing we have to do in Lightroom is take care of the sharpening. So let's go to Details section in Lightroom and the right amount for sharpening. So, as we then in Photoshop, of course, use the high pass filter.

As always, we can still do some basic sharpening here in Lightroom. So I maybe go to 50 or something like 60. And now do a little mask, of course, because I don't want to the sky to be sharpened here that we don't add noise to this. So only the parts which are alive now get sharpened. So I don't want to I only want the borders to be sharp here. So maybe I take it off 60 here also.

So now the corners, the borders get sharpened. And maybe as we open up the shadows that much Let's take a look. Take some time until the natural notes the raw file because it's also very big. The profile of the Sony SNR is more than 40 megabytes So maybe we can do a bit of noise reduction just a bit and maybe boost the sharpening just a bit more to run 70. Okay, so with the screen recording metronomes always a bit slow, but I think that's no problem. Okay, now it's much more sharp.

We can also correct the color noise, the color cast here to go around 40 and I think then we're done in Lightroom with the raw developing. So now we have to copy or to synchronize all the things. Just one correction. I think it looks kind of weird. In the end, it's a bit too bright. Okay, so now it looks more natural.

We can just copy all the settings we've done everything the cropping The colors, the local adjustments everything to the other rough highs that these have nearly the same look. And then we can blend them together in Photoshop. So to do this, we make a right click onto the photo we've just edited and go to develop settings and copy Settings, then a pop up opens and reselect all make sure the check all is enabled. Then click Copy. And now we will select all the other files or the other RAW files here and the button. And then we make a right click on them go to develop settings and paste settings.

So it takes some time. And then you'll see how how all these settings are applied to the other RAW files. Boom, boom. So now, these are also edited. Okay, so now we want to open these layers. These are raw files as layers in Photoshop.

So we make sure that all these six RAW files are selected. Then we make a right click on it, go to edit, and then open as layers in Photoshop. And we click that and now it of course takes a bit of time because these raw files all the very big it will just wait a few seconds.