A couple of words. Before we continue to draw our Skitch. We use the line language to describe the objects in our sketch accentuation were obvious properties. How I say it. In this language instead of words, we use something similar to hieroglyphs. And we are free to choose the most laconic way to describe our objects, not trying to be photographically precise the gift of your general idea of objects in the image in a symbolic manner.

So, let's start from mass over distance boats. I'm not going to count them, but I want to show how we go to the depth of it. Carver becoming thinner and shorter. One bunch over months is behind our boat in other to lift, and I add a couple of diagonal lines to show ropes friction to muscles. Now I draw a few lines to show two rows of windows on the red building. And again, I don't count them and I do not draw each window.

I just give a hint on them. It's time to draw all the boats in the harbor. It's very easy. If you up all the space on the level over deck Southern we have short horizontal lines. And it works because our imagination can hint easily makes up all the missing parts the trees From the left eye view up with thin vertical lines, I am not only given variation of stems growing upright, but it repeats direction over months, making this part of scenery more convincing. And now it's time to draw the water surface.

I draw it with horizontal lines make an impression of the waves closer to your gaps between the waves are looking bigger and they go into smaller view distance towards the line of horizon. So I fill up water surface on the top part with compact lines and two gaps bigger on the level of both reflection. Reflection itself. I left blank because it is white to the bottom of Skitch gaps between various lines are gradually in region and the lines are later bought itself now looks pale in comparison to the surrounding scenery. I draw a line so we're both stronger and add some details and now it's time for final touch which makes the picture highly vivid. I'm going to add reflections over months on the water.

I begin this must have remained bought. I draw long zigzag line from the level of reflected by the board to the bottom. In top part it is stronger and then sort of zigzag are compressed and to the bottom line is lighter and zigzagging More stretched. I do reflections thrown you're adding another zigzag line over the first. Now I draw reflections over farmers. I do them leave one line each.

Some of them are closer to us and stronger other are thinner and lighter because we are far from us. And again in two parts reflections are stronger and benzo zigzags are compressed. To the bottom we are lighter and zigzags are more stretched. Now whose kitsch is reading this compare it with real landscape. It is not the same sketch looks vivid and gives the viewer some impression of the scenery. So, I hope it was interesting.

And now you can try to create your own sketch using the line language. Bye bye and good luck.