Hideaway, verse six. We're going to go into Freddie's tongue in cheek version of the Peter Gunn theme, which is one another really fun part to play in the song. So it comes from the end of the previous verse. That's what I think he's playing. It's kind of hard to hear exactly, because it's so muffled. And there's other instruments like the bass in on this but here's what I'm playing.

So from the end of the previous verse, He wraps it up with a B, seventh chord and then open sixth string. Open six, strength wise second fret of the sixth string, third fret and then he's gonna slide open third fret open and slide, fifth fret fourth fret. So that's that's basically the pattern. I'm using my first three fingers. That's one way you can do it. Also notice that the strings are muted.

I've got my right hand palm on the fifth and six strings again. Just practice that pattern. When he goes over to the floor, he's gonna play the same thing. Back to the line. And then this part right here when it gets to the five, I don't hear the Peter Gunn thing going. Sounds to me like he's just settling on the bass note of a B, seventh chord.

Something like that can't hear exactly what he's playing something like that. Can't hear it. So what I'm doing is making a B seven, playing, really the fifth and the fourth string. And then I'm going right back to the A. and then back to the one. Open six ended the turnaround, which is our B seventh chord. So let's play that whole thing slowly one time through the end of the previous first I can't tell me like just an open fifth and then putting the B seventh down.

Or it could be you could throw in that little bass walk open fifth one, two on the fifth. With the B seventh tossed in. I'll have a tapped out what I'm hearing on the, on the record, but either one of those works and sometimes when I play this song, I play either one or both of those, because they both work. So there you have the sixth verse of hideaway, and we're getting ready for the last verse and the end.