I started with a side part for my model who is in real life a very, very simple, simple person. So this is a great look for anyone who wants to look like themselves from the front but have an amazing design in the back for a very special day. I am picking deep inside this flip over a technique because I don't want to loosen the the very sides or the very front. So when you begin to pick, reach deep inside and pay attention to what is coming loose and just continue to work. gonna flip over another section. And each one of these three sections, you will see are a little asymmetrical and will have a unique texture for each during the consultation when you figure out the position of the hair, which in this case, it'll be a shin young or low bun.

And we also want to avoid too many bobby pins. This client had an incredibly sensitive scalp. And so I knew from working with her before that there could not be a lot of weight or a lot of bobby pins. Now the reason why this is in a ponytail here as I begin my fishtail braid, is that tightness at the nape of the neck With the elastic will be a great place to pin in some of the other styles. Oh, this is very long hair. I'm going to work all the way down with this fish tail design is very interested in what was going on.

And sometimes it is fun to show the client what's happening so they can get a little excited for what's going to be in the back of their head and something that they'd be proud to wear. So I decided to do one more section down here. And now I have three great textures to sculpt. I am Grabbing a piece of that elastic and going right in. So with one bobby pin, three quarters of the hair is already up. See I'm gonna wrap around, there's another elastic wrap right around that.

And where you pinch, you want to pin. So I always feel the ball of those hair, or bobby pins rather, scraping my thumb. The texture you can get out of these fishtail braids is gorgeous. And I want it to stand on its own. Again, you're going to see here right underneath is the other elastic. And I'm going to pin the backside of the braid right in to that elastic.

Now again when I talk about placement, and I talk about texture, and I talk about shape, I decided here to pull that braid back out. Because it was just a decision I made in the sculpting process. Now right there, I combed through that parting to hide it. And I'm just gonna pin my brush through that parking if you need to watch it again, back it up. Just brushed right through that parking. And now I'm going to open up this braid.

Now you can see basically even without this braid, the hairstyle is even unbalanced. So it gave me the idea to turn this braid into a feature and I I'm going to turn it into a flower. So by keeping it flat, and my thumbs in the middle, I'm creating this hair flower. And we don't want to flatten the flower down to the head. So the bobby pins need to go underneath and around the backside, not flattening it out. So we can keep a hollow section in the middle.

I call this hair flower, the money piece. You have elevated a basic loose Shin young into something unique. And this detail in the back is going to get you referrals. It's going to have people say, Wow, that's really interesting. That's really cool. Where did you get your hair done.

So I hope you enjoyed this look. I hope you found it easy to comprehend and that you will try it. Thanks for watching