So you can see I did the crown, crown teasing and layers here so we just and it's and it's only in this this area because that's all that we want the height for is right there. So I'm going to move that back. So I smoothed out my top layer. Remember We had that grade there. And I'm going to find a place to put a ponytail after I have the fall the way that I want it, and then be able to pin up right in. All right, so we're gonna pin that right in here.

All right now it's fun part. We've done all the constructing of the sections, and now I'm going to Design and put everything together. So what I've got here is I got this little elastic piece, and then I got a nice tight section there. So for with one bobby pin, I'm going to go in and feel for that elastic and I'll get a nice and tight. I don't want to get in your way. We still have this to come around, and this to come around.

So we still have lots of hair to work with. Just kind of play around, fatten it up, pull on it, drag it, think about and I kind of at this point, I let the hair talk to me. So when I just did that, I can take this whole section, pin it there, drag that out over there. So I play around and I let the hair kind of show me where it wants to go. Basically, I'm only interested in getting a similar look to the picture, not forcing the hair in a particular way. It's more about construction, shape, balance and texture.

Right where I'm pinching right where you pinch is where you pin so I'm going to go in, I always try to get that bobby pin to a hug right under my thumb. So I know I've got a bit of hair that I I want it to grab. But because of the construction method, and the freedom I have, basically artistically now because I'm not saying With hair, we can get really creative. And it doesn't even mean yet that these need to live where they are. This is still kind of here. So if I want to move that in, move it around, I will still do more fine tuning as I get to the end, but you saw all that went up one pointy tail.

Now, the decision I'm making here is there's more hair on this side because it's ethic side Park. And there's less hair on this side because we don't have the park. So there's no sense for me to continue building up here because I've got a lot of hair that's going to rest here. So I'm going to drag this one over in that direction. I like to call it the thinking stylist system. So the construction, you think through it, the building you think through it, and every decision has a purpose.

And it creates this design in the end, where it's not frustrating. It's not worrisome. And I hope it makes a lot of sense to you. So here's that ponytail in there. Remember, we got that big thick braid underneath there. So I'm going to go catch some of that elastic and pin right in there.

When you're working with this much hair, and this is the look you want, but you've used all the hair, you run out of places to put the hair so the uptake is getting wider and higher and you lose that that style that was the original design. And so we're not going to come up to or get too wide because of the system and the construction. And when I work with clients, for real, I obviously use product. But when I'm working on a on a model I, I really don't want to have it's a longer process than it would be in the salon. I just don't want to pick her up with all kinds of hairspray. So take a look.

When you look this is gorgeous right in here. Really, really pretty. And I going to bring this piece back. And now as I have my end here, from this side, and in a sense, we've had our consultation we know how she likes and how she wants that very front to look If I feel that this is again, just a little too much links, and we take a lot of bobby pins to turn that into a pink girl or whatnot, I'm going to add another ponytail right here which helps cut down that the weight and the heaviness again and can fatten that up and the once I give her the mirror and I want to make her feel that she's in command of this design that I'm going to have her stand up, I give him the mirror, I have a look at it from all sides.

And it's still kind of loose and and sprayed. And I'm going to do a final tightening is like what I like to say I'm going to do a final painting it in and certainly based on is she going to sleep in this that she wants to last two days is this, you know, does she like to dance a lot is this just a photoshoot so it doesn't have to be in forever. There's lots of questions that have already happened in the consultation. So we got an elastic there. I'm gonna go in because I have this elastic. It doesn't matter if I grab all of this hair or not.

I can grab a couple of strands of it. It's going to hold because of the little Asterix When you pin in hair, that and you put a lot of pins, it'll take that section and it'll flatten it out and it'll be wide when it's inelastic. This section stays fatter and you don't lose the movement. And you don't, you don't have a big flat spot on the head that you have to kind of. Now you gotta hide all those flat bobby pins with another curl. So it's just curls on top of bug pins on top of hair pins and it just gets to be a little much.

My thumb's are always like to say nothing is A mistake. If I make a pin and a decision and it, it doesn't work for me, then I take it out and find something that works. I don't allow myself to say, Well, that was stupid or that's a mistake. It's not it's an experiment. And that will help maintain your nerves and help you not because when you when you lose it, the client will feel it. And that nervous energy on top of the nervous excitement because she's going to an event, your nerves and her nerves.

It just is a pretty bad nerve cocktail. So my system for constructing and building in consultation is also all about trying to maintain come through the whole style. So I'm going to take a look And just see what I want to do here. Okay, so this side is, is a bit full heavy and done because we've got the thicker side. And so then obviously right here, there's a hole. And I'm going to bring this over in here.

And then I'm going to bring this over here. And then this is my last piece, and I will save this piece. Because of her length. It could be dragged and brought over here, it could be brought under it could be brought through the middle, there's a lot of things. So I usually like to leave a piece at the end that's going to either be creative and decorative. This could be a braid, and we could weave it through and it'd be pretty braid design.

But there's always one piece at the end that either fills an empty spot or as a creative detail. times two with is naturally natural highlights on this on her virgin hair. You've got these beautiful streaks of blonde. And sometimes I like to make sure that shows up. If it's just a matter of just twisting it a little bit to to get that little pretty streak showing then then that's what I'm going to do. And these are decisions that because of the construction method because of the consultation method, because of the whole entire system that I teach, your brain is creatively free.

When we're stressed our frontal lobe gets confused and we can't make creative decisions and it's really important that we are free to make creative decisions because these are the little details that are going to sell her back again as a client and then also have her friends come and and just that whole referral. So now you have that beautiful look, super long hair. That is not a massive ball of hair because we're able to To hide a good percentage of it and very fitting so you would never know that she has seat, how many feet three to three new hair and got a nice fullness. I like the opening here in her neck. And that is how you construct and hide all this hair. Never say you can't get the client there's always a way right.

Thank you