So now I want to work on this flower and these petals and just add one more layer. So I'm going to put a little vermilion hue on my palate. Nice intense color. And I'll mix a little parently in red with that. So now it's even more red. Take a little more of a million due to that with a sharp point of my brush to turn my piece around.

And I'm just going to take a very sharp point and just pull a little bit of color. Just up about a third of the way up and it's not filling up the pedal, but it's just pulling a little bit of color. The combination really of the procedures we did on the first and the second flower. So I'm just pulling that forward little hint of color. Again, you can see a nice bit of yellow, a nice bit of orange and a nice bit of this red color. Lastly, I'm rinsing off my brush and want to go in here with this yellow.

So I'm going to re wet it a little more of a hansy yellow and a little of the yellow ochre, a very sharp point, working on that same pedal and the same flower. I just want to create a little bit of edge to each of these pedals and I'm kind of pulling the color down just a tad echoing the shape. I'll go back in poll a little bit of that yellow from the center where I'm just overlapping with the orange, not the wet color. We just put down And that's our first the pedals on our first flower. We'll let this dry we'll come back and work on our second flower.