Hi everybody, I'm glad you're with me. Let's finalize this case with Santa Ana church. In the previous video we made work on Main geometrical shapes using the perspective grid and added light shading to make the volume more visible. Now we are going to do the rest of the work on the sketch all the details trees and patterns. They continue by adding we took part over built our visa during middle roof. I drove a central axis, Mark height and at sides of the roof adjusting it's orthogonal to the Perspective Grid.
I draw side lines then I add side wins over roof, starting from organelles and engine by Kurt firm offerings. Now I prove lines have a roof on the right part of a church before to start work with all the details I erase the lines of a perspective grid from the sky part of the landscape. I drove windows on we built our two tiny windows on the lower parts I drove by lines on the high Mark reports on great part of a church I drove a Windows on the lower central parts Big narrow window on the left for now it's time to draw distant parts of a church. I drove them by scene lines using my eyes. I don't measure anything. It's a secondary part of my sketch.
So I don't want it to jump forward. It has to be humble. And the most for buildings on the ground, I row by way of like lines very thin. We are more like symbol buildings. I don't care about your exact shape. Now I start to draw which is trees draw like currently clouds on with sticks.
I tried to keep general shape But not go into real details by depict them more in a symbolic manner or a space inside three grounds to make them less transparent. shading on the trees I make much darker when shading on the church. Trees are really dark and they are even closer to us when we church. The bottom part of the tree crowns I do darker because it is shadows all the windows and doors overcharge, I shade to to give them depth to make them seem intervals where shading is later been shading on which is when I do stronger lines on the parts of a building, which are closer to us. I draw a stronger baseline Details of fencing Kurosawa bottom now I had three patterns on the walls by very thin lines. By chaotic zigzag lines into stronger edges over three crowns.
I mark the pattern on the roof edges by wavy lines. And finally I draw a human finger to give a scale to my landscape. I DO IT director one shadows on the trees more contrasting making it look closer to us. proportions over staging human figure are these beautiful shoulders six times in the head over finger. Length of hands is equal to or less Or now our landscape is raging. I'm looking forward to create more videos on the topic of landscape sketching.
Hope you enjoyed this one. See you soon bye bye