This check you're going to do is to simulate a broken arm. So, we're going to do it on Trina's lovely arm here. As this plastic piece of bone that we're going to stick to the side of her arm. Then I fashioned a sponge for wood tour through, we're going to scan it and make it look like it's all part of her. So to begin, we're going to take her procedure as he said, and applies them to the back of the bone and to her arm and to the back of the spine and back to her arm again, to make a good contact point to hold the phone in place. So I'll begin by taking some of the pros that are put in a cup and brushing it on the flat of the bone.

Nice liberal coat. Set that aside and let it dry. Same thing, put some on the back of the sponge course can take a little bit more septet down and let it drive it roughly lineup for I want my phone to break I need to respond when this glue dries, formed a really strong bond. Now hold that bone no problem. ideally you'd like to make something like this out of balsa wood or hollow or possible dryness then you want to make the white glue go clear See that's almost clear already. I've angled this on a 45 degree angle because the skin would be ruptured as the bone is broken and hinged out.

Too late lay this out that that will be smooth that we're going to make a new layer skin with prosaic paste, and that'll look normal. And then the corresponding part that hinge as you can see, once they touch he grabs a help bridge this part here. I'm going to add a wee bit of a sponge just to help bridge that turn off the edges make a little more rigid. Just that way doesn't take some Glue to fill and drying time. Now bear in mind when you're doing something like this, because of time sake, you probably will never get all the glue to dry 100%. So it will be drying on your model or actor to the course of the day while they're wearing it.

So it's very fragile, especially the surface so I have to constantly remind them no touching, don't play with your arm. don't have anybody else come touch it. Everyone will want to mug with it and have a picture taken that's fine, but leave it alone. Here's our direct line. Can we take our spatula Doesn't matter that that brown when I'm finished, when I paint it, you won't know the difference. And we take our pros a pace, prosaic glue sticking with Kava.

So we're going to make I could probably try and pre make almost like a prosthetic with Third Degree doing this on a mirror. If you had the time. This is Uber macgyvering. The middle of nowhere with nothing. But these two materials, I mean, there's always options. Again, all these simulations are to stimulate your imagination and get you thinking and can you to come up with your own solutions to problems?

I'm just gathering this stuff on I'm creating new skin Looks like an advertisement from a ring right now but I promise it'll look like something. Again, I'm not worried about the amount of glue because as long as we scan it, we slip paint it we don't have to touch touch it will be fine. Okay, I use some water and a wide brush and start sculpting the blue. You have to always blend all the edges right into the skin. To complete the illusion we have to believe this is her arm during inches window on this side can pushing back some of the edge of the bone the skin to expose the bone because you really don't need a lot of the bones sticking out. Inside here.

I will fill later with gambling and make it look nasty right now all I care about is the outside skin. After a wee bit more include just to get rid of some of the odd looking texture. And then I will use a sponge to actually put pores into it and it goes more like flesh starting to look like something more smoothing with our water, texture it a bit and start drying relatively quickly considering what we're doing little distortion because obviously term would be Boom snap and come on. Live from normal alignment. Just kind of take a sponge and just see I'm just barely touching it. Try to add some texture.

Stuff right now you barely touch it making a stronger person than you want for the danger of the water smoothing it is better to surface to saturated market You can now see that it has a gray hue to it, it's still really wet, but we more or less skinned it you can see where the sponge is stirring. You can see it through because the glue is turning gray but in areas here where it's mostly glue like even there you can see it has that off to you or even there were solid glue. So we're gonna have to paint it with a quick brush, we can't touch it. And I'll face coated flesh tones and then slowly, hopefully feel courageous enough to go in there and start adding the bruise tones and making it look really raw and sore. So we're going to use our handy dandy flesh tone palette by Jordan because it has all the multiple colors to get close to the skin and then it's going to be bruised.

More just to prime it so that the red looks a little better with the plush undertone. Because it's there's so much glue and it's still pretty wet. I'm going to use this large chip brush and basically click the color onto it and washes and slowly build it up. We're going to use two or three shades of flesh and even painting it this way, with deflect, you're almost creating a texture to it as well. And you also know why we have makeup capes because I mean getting as much on the back in the surrounding areas I'm getting. So you can see it's slowly starting to look more like with a big brush bigger brush bigger coverage I could use the little one the little ones more for a controlled placement of splatter.

So you can get it 100% where you want it but standing way better chance and a lot of this extra beating on the side I can take away later. Once a sponge and some alcohol. Again I'm mixing several colors. I don't care about the inside of the hole because that we're going to fill with jam blood another time using a sponge and some alcohol and cleanup outside of it has been primed to move to our effects palette and our bruising blood tones. I'm going to dimple a sponge. And boldly try and apply color to this.

I have to press very, very lightly and very, very carefully because I don't want to add more texture to this. So I want this really, really watered down. Can you take the color beyond their prosthetic because essentially that's what we created, how to glue a prosthetic. We're going to make it real quick the arms really traumatized from this so we extend the color to the surrounding area. I'm going to bring this up good and then I'm going to go back in with a flesh tone to make it so read just fine I mean when you're coloring the thing to tell about layering, again, taking the color beyond the injury and drawing attention away from the obvious edges are always trying to hide or edges trying to push the irritated British tone under the skin Planning often to the normal arm starting to care more word looks more bruised and like everything underneath the skin on top I'm barely bumping this thing as I'm coloring it where all the time that probably 80% still wet using a lot more for supporting character than bone was bloody it all up.

End of it so it won't matter Want to start filling that center bit in that my small palette knife and our tablet by Jordy Ben Nye Fleet Street Krylon everybody in his mother makes this stuff so you have tons to choose from. comes under a lot of different names. They say scab we call wound filler jam. Everybody for good raspberry jam where the edges been on my bone. I'm going to look at a little more thing about these effects at the end of the day seems after all your hard work most of the time other numbers the Big Read through these bit after it took you you know Two hours to make it or can you want this nasty so don't be afraid to get in there with your fingers and smear some product around. Now, because this is a deep tissue wound there actually wouldn't be, believe it or not a lot of blood.

Water. I don't mind the shine because when you have trauma to your body like this it would be shiny. Just water diving with my finger and gliding with the tissue. Again, the focal of everything is here. For help blending purposes, we can go back with our little clip brush again. Our palate and now a little more pigment you know me my clicking like to make it a little more organic and nasty looking.

So here now I'm using it to my advantage to help deflect from that which adds texture takes your eye away from the edges of the piece and what it is it's adding gore that won't move. And again, it's adding a layer of bumps and dots that take your eye away from the obvious and help spread it in same time. I don't know this coloring as well. Looks like trauma under the skin when I go a little higher. Again, it's all about camouflaging. you're wanting to help fund that transition between the real arm and this waxing or prosaic things.

With this, I'm creating very late bruising away almost a mini bruise right down to your elbow, which you probably would be. Again, it's like the magician. Look at that. Don't look at anything else around here some has the kind of the art of blending, taking the eye away from the obvious. So I'm just using a very light watered down, click pattern to do that to make them work. Like it's really really traumatized.

I'm sure it would acid. If you do it really lightly. You can see people would believe that the bruising would continue away and the whole arm would be irritated. Matter wash up talk as well. Again because it's really watered down. So right now I'm just clicking a little more finishing it off mean we're starting to get a little too red here so I'm a really watered down again polite flesh tone.

Yes to break it up again. But you want it like as you saw how our brew tone was super, super, super watered down, same thing. This is where when we say washes, we mean washes. tendency breaks up to two bridges some of the red starts to look more like modeled Bruce quest on again. This is the part. This is the part that people don't understand that take the time but actually finish it off and sell it.

Again, you're creating pixels, just like pixels, the color on your TV when you're watching. I'm creating pixels of color to help blend and sell this. Even though I'm way away from the arm when you see actual buildup when it gets close to it. You buy that this is all one piece. Again, I'm not power slamming at home. Always having a little bit of I think it's a bit too At first glance you're not supposed to go oh she got something stuck around cuz I'm getting picky about where I want to place it I'm more control right now.

The bigger the brush the wider the spray and then I'm starting to lose control. It was one more gore pass and then add a little woozy something. So we're going to dress it with a combination of fresh and fast drying dark blood. I don't like using just one tone and fine ones using to to read even though this is fresh. I still like to mix the other two get And in between to pour a wee bit of the fresh and a cup. Does it knows how vibrant and red it is.

And then I'll use some of the dry. We usually shake the bottles because depending on the maker some of the pigments settle to the bottom and you want to get the full capacity of the blood or otherwise it looks like you're printing kool aid on something. Notice how dark that is. This is old blood. That's fresh blood for sale freshmen are dark In contrast as if it's been a little while in there, then you try to create texture by letting some of the skin actually show under the inside looks like tendons and as soon as doesn't all have to be ready