Hey, what is up guys, Ennis, here, once again, and we're back into creating an audio sound professional. So in this episode, as you seen from the title, I'm going to show you how to decrease or lower your sibilance. In case you don't know what that is, is basically your SS and your feet and your apps and sorry, and your teeth and your popping sounds from they're coming from your mouth, which you can basically lower or give it a treshold, which is going basically to make your audio sound way more normal, I will say. So right here, what are we going to do is given an audio effect or plugin, which is the default plugin in Premiere Pro search right here, the answer is right underneath this obsolete 110 years obsolete one, as I always say, because this is the older one, and this is pronounced the answer is not the user as some people call it.

So just slap it onto your audio right here and click this Added button. As always, right here, we have this option, which seems simple. But right now I want to talk about some things. And I'm going to explain to you guys who would actually understand this effect. I'm not just trying to show you how to adjust a couple of things. And next time you have a problem, you won't know what you're doing.

So I'm just explained some things. So basically, if you have your microwave clothes, or your input level is high in your microphone, or basically you're just catching up all these sibilance which are popping out of your mouth, which I really have a problem with, because because I have a reason my mic is close to my mouth, because I have nowhere else to put it. Basically, I have a lot of these S's and all these T's and F's, and I have a problem with this sibilance. So I'm using a de Esser to decrease the effect of them to decrease the attention. They're they're drawing and make the cause the audio sound way silly. So basically, where the Weren't his siblings are hiding when it comes to Hertz's is somewhere between four K and 10, k 4000 or 10,000, basically.

And that's the place where you're going to find them once we tried to adjust them. And the only option that we're going to use is the thresholds right underneath this mode. We have a broadband and multiband. Please don't use the broadband because it just doesn't do its job. It's it's something like a compressor and just compresses the sound and doesn't do the job of lowering the sibilance. So don't use the compressor.

Use the de Esser don't compress to the ends. Okay, I'm checking this out too far. I'm gonna stop. So right here we have this treshold and it's basically the less decibels we remove or lower on our sibilance the last of the Pops and we're going to get I'm making these actors dramatic because I'm trying to show you You guys, but I'm thinking about. And we have these serve breakfast II and bandwidth bandwidth is basically these right here, the more you drag them out, as you can see the benefits go out, it's catching up all the way to 7500. If we want to have a clear sign of where your siblings are, you can output siblings only by clicking this option and listening to where you can find but that's not hard to listen to, even this way, but just for the sake of this tutorial, we're going to output them to show you what I mean.

As you notice when I say so this is something my SS are pretty nasty. And even if I remove this option, you can hear that quite well. So this is something that I wanted. And right now it's not an act because we have the threshold. The trash hauler forgot. So this is something that I wanted to do.

That's it's just hurting my ears. Listen to all this. So this treshold is basically whatever fits your audio, maybe you need less of this, I needed a lot to basically keep it around minus 30, which is the default one. And let me explain the threshold a little bit more. So basically, if you have your audio like this, these are the waves. These are the normal ways right here.

And this is your audio. Imagine this as a C as a way from A to C. So basically, this is just a wave and it's normal. It's pretty flat. And once a higher one comes out is going to jump over the normal one. So it's basically somewhere around right here, let's say and as soon as it goes over the normal height, that's where the treshold or RDS comes in, is going to compress that as sound and getting back to the normal ones. So once it jumps out, the DSR is going going to go back to work and make it sound normal by flattening it out.

So, as I said, they're always around 4k. And thank you, as you see when we output them, they show right here as you can see, so you can just shrug this out a bit right here. To catch all this route suggest you to catch as much as you can of this. So if you just drag this out a bit to see what fits for you mess around with this, see what best fits for you. Because the more you add of this, to be honest, it's going to mess up your audio a bit. So found find the pain point 30 decibels is the way for me minus 30 decibels, of course, so let me just play the audio without the effect.

So this is something that I wanted to do for a while. And this is what the effect. So this is something that I wanted to do for a while. As you can see it's sounding way, way more normal and appealing to the year than it was before. And I hope you understood what I explained right here with the way so it's just jumps over the normal, which are the SS, which jump over, our audio is going to of course, our de Esser is going to compress them and make them lower, make them sound normal, of course, the more treshold you get, and the more assets are going to be compressed. And of course, it's working for x n T's and peas.

But we're going to be adjusting this way more, and one of our last lessons. So that will be it for this lesson. I hope you enjoy it. And I hope you understood what we were talking about right here. One thing that I forgot to mention is about the presets right here we have a lot of presets, which of course you can try using, but I personally don't like using them. And right here we have the Asher's dishes or I don't know how you pronounce it, but it's about the sound.

And I don't use this male voice, dear sir, because sometimes when I work with lower pitches, males who have a lower pitched voice, it's not just going to do the job. So basically the default one It's working for me, as always, and I hope you understood and I hope you did well with your audio. That will be for me guys and I'm out.