"No Particular Place To Go"

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Transcript

In this last section of the lesson series, we're going to take a look at 23 specific Chuck Berry licks to show you how you can take all these different individual ideas licks components that we've seen so far and put them together and different ways. And more specifically, I want to show you the ways that Chuck Berry put these together. And these licks all come from his solos, and some of them are takeoff licks, which he uses to kick off the solos. Others come from the middle of the solo, and there's a few that come from the ends of the solo. So I've got quite a variety of licks here. No way I can cover off tech berries licks that would take a long time and be pretty hard to do.

So what I've done is just pick 23 that I like licks that I you know, heard and decided I wanted to learn how to So let's start out number 77. This is less than 77. We're looking at a lick from no particular place to go. And this is a lick that he uses right at the end of the first solo. Before he heads back into the, into the singing into the verse, They play something like this one more time. So we've got our lips we've seen before, we're in the key of G. So all this is in the first position, blue, Xbox and G we've got this and I've got my pinky on the sixth fret of the first string, ring finger on the fifth fret of the second string, first finger on the third fret first and second string, so we've got twice and then we're going to do a series of double stops.

Going from the third fret to the fifth fret. And back on the first and second string. We're gonna go from the fifth fret to the third fret on the second and third strings and wind up on the fifth fret third and fourth string. So we've got this. And then this is being played after the solo has gone from the five to the four to the one, and it stops on the one. So when he does this quick chord, it's a G, and what I'm playing is just the F shape g without the first string.

If you listen carefully, I think that's what he's playing here. And then right there, so let's do this in context. Right there is where he starts singing again after the first guitar solo. So this kind of lick if you listened to almost grown, I know that's another song where he does something like this at the end of a solo or at the end of a verse. And it's just kind of a typical Chuck Berry verse solo line that he uses to wrap up a solo and head into the next verse with a stop. Now you could also do it With a seventh chord, I could play a D seven play something like this.

But I think in the recording, he ends on the one on the G major like that. So there's our first example of a Chuck Berry lick and we're combining this with a double stop. We're throwing a cord in there. So he's combining number of double stops, plus a G court

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