For this lesson, I've got two variations of the verses that you hear little son Jackson singing and playing on the on the recording. The problem is when he's saying over the one again, just like with mobridge blues, it's really kind of hard to hear exactly what he's doing on the guitar. And so I've listened to it over and over again. And what I think he's doing is when he starts singing, he's doing this something I hear that Ben dean at the third fret of the fifth string, so I've just got up not playing the first string there. I'm playing an A chord by itself, and then I'll put in the pinky You could do that, which is kind of a simple way. Or if you listen to the blind, or the little son Jackson version, he starts with these double stops.
And this is, first time we'll look at that. So he does reverse, as he's saying it we're doing what I'm doing here is that same double stop shape that we use over the D, but now we're playing in a seventh. So we're sliding this time from the fourth fret of the second string, and then have our first finger on the third fret of the first string as we're thumping the open fifth string. Then we're sliding from the fifth to the third and then getting back into the ACA. So we're third fret of the second string, second fret third string check the tab and mess around with that. Now if you listen throughout the song, he mixes it up.
There's one point where I think he does that three times. So if you want to play it exactly like he did, you have to listen to it and see how he did it to play a simple version and we'll just do it twice. So let's take that whole first part again the first part of the verse and then when he goes to the floor, we just go to ID seven just like we did in lockers, blues, and back to our a So again, we're doing that little double stop, lick in a to fill in. Now, again, he does some variations and little, you know, little subtle things that I'm not gonna tap out for you here. Let's just keep it simple to get the 10 and then he goes to the estaba. And then again and that's how I think he plays the typical verse.
That's one version where he started like that. So let's play that all the way through slowly one time. So this is verse number one for blues. Come to Texas. That's the essence of what he's what he's playing there. Now the second verse I'll show you a little variation, a little more difficult way of playing the verses, which he does a couple times throughout the song